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The Yamaha KX-1200U sitting pretty in my usual rack. Love that titanium silver color scheme, if I have to choose a word for it, it would be CLASSY!
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Since my experience with the Yamaha K-1X or KX-1020 depending if you're in the Japan or the rest of the world, I have a very different view in regards to Yamaha's credentials when it came to their hifi equipment. Oh, my buddy has a unit of the Yamaha KX-1200U cassette deck, the 1987 successor to the K-1X which is currently in my care. The KX-1200U had a production run of 6 years, which lasted till 1993, demonstrating the sales success of the model in question. Oh said I should compare both the K-1X vs the KX-1200U to confirm his own observation.
Styling wise, the KX-1200U carries over the K-1X practically lock, stock & barrel, sans a small window at the bottom of eject button for remote sensor. Power up the unit and that bold red/blue fluorescent display typeface has given way to a more refined yet at the same time more generic typeface looking whitish fluorescent display. Like the K-1X, the KX-1200U comes in both titanium silver or satin black color scheme. I found the titanium silver color scheme on this unit very classy, and will almost certainly prefer it over the satin black. Weighting in at 7.9 kgs, the KX-1200U is exactly 1 kg heavier than it's predecessor. However, a simpleton audiophile likes to view on the subject of build quality by weight, that it seems heavier is better?
Build quality is the same finely measured compromise between cost vs luxury build. On the front panel, that lovely all glass & aluminum sandwich cassette well door is nicely carried over but now with tint. The cassette well illumination is improved as well, now with a tape center back light and a top light, which is super useful when the need to perform tape head and capstan pinch roller cleaning. All other front panel layout remains exactly the same as it's predecessor, including the six major transport control keys & that flip down panel for recording control knobs and Dolby selection. This Yamaha still came with dbx NR system, but is now the simplified dbx type II prefix, which is deemed to be less extreme in effect compared to the earlier version. By the way, that chunky looking feet at the bottom is still decorative plastic, no ceramic or stainless steel here!
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Either way you look, the Yamaha KX-1200U is very nice! |
There are some changes elsewhere too, such as the Sendurst tape head is now the harder wearing amorphous type for long service life. Did I mentioned a wireless remote is now offered with KX-1200U as optional or standard? By the way, the review unit didn't come with the original KX series remote, but nevertheless came with a compatible remote which worked for most transport function. Still on the mechanism, the KX-1200U also does track search, and program play sequence too! Stuff that I don't advocate to use as it may wear out tape head. Otherwise the 3 head, dual capstan transport is pretty much the same. Cassette eject is still non-motorized mechanical.
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A close up of the 3 motor Sankyo supplied transport & amorphous tape head |
So far so good, Yamaha seems to have added much more convenience feature in to the KX-1200U over the older K-1X, which is good. Moving over to sound quality however, there were also compromises compared to the former. The first thing one will notice, coming in straight from the K-1X is the reduced headroom & dynamic bandwidth. The highs less airy and mid range less sweet. The bass, less kick ass.
I would speculate that due to the need to cater to the older more extreme dbx NR system the K-1X super boosted all the attributes I mentioned above, especially the headroom and dynamic range. The KX-1200U sounds more comparable in character to my other reference, the Akai GX-95 MKII, i.e., is the cassette format sound character. I believe that the K-1X sounds the way it does is due to the dbx NR system it deploys. And with the KX-1200U, Yamaha has chosen to fall back in line with other cassette deck manufacturers. I know that from what is described above, it would seem that the KX-1200U sounds disappointing, but that is only if one is coming from the K-1X predecessor. If one is coming from something like the Akai GX-95 MKII, then the playing field begins to level. And the KX-1200U is a pretty good sounding deck. It got a super strong transport that plays certain tapes that other cassette decks have given up on. I love the refinement the new amorphous tape head brings along with a more neutral tone, compared to the K-1X. The KX-1200U is also more transparent sounding too, by the way. So it's not all bad, but compromises, clearly a few have been made.
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On the inside, noted that big potted power transformer, not many cassette decks feature that. Also note the dbx NR PCB standing up right from the main board on the left! |
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Even the wireless remote is color coded to match either Satin black or Titanium silver color scheme |
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There's even a deluxe version in Japan domestic market only, come with wood cheeks, whih to me at least, is a must have for all top of the line products! |
The Yamaha KX-1200U is still a very good deck after all, otherwise it wouldn't have a 6 year production life span vs the 2 years that it's quirky predecessor enjoyed. The fact that I liked the quirky K-1X so much is because it's exactly the kind of kinkiness for my personal preference. The KX-1200U on the other hand, goes the more prudent & for the lack of better terms, generic direction. And I guess that's why the KX-1200U is the much more successful in the longer term. May be I sum it up this way, about the 2 sisters. Older sister is at once exciting to be with, totally punk style colorful and has wild character to match, you gotta see her quirks as an abject beauty. The younger sister is more traditional, girl next door type, which in the long run, probably make her easier to live with, once the initial excitement has worn off.
In the used market, now going for about MYR 1,800 a piece, the choice is yours, and Yamaha being not all that popular back then, doesn't really offer much examples in the market.
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